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            Making a Story of Israel into a  
            Musical 
            for All  
            
            
                 
            Two 
            Eagles is based on the straight 
            play Like Two Eagles by Tuvia Tenenbom, the ground-breaking 
            Israeli-born playwright. The play opened in New York in 1994 and 
            received exceptionally glowing notices, seeming to stun the 
            reviewers with its insights. John Clifton had composed the extensive 
            “incidental” music for that production. Like Two Eagles was 
            about a romance between an Israeli soldier and a beautiful 
            Palestinian girl.    
            
             
                 What these two don’t 
            know (but the audience does) is that they had been switched just 
             after they were born. And so we have a Jewish girl brought up as a 
            Muslim, and an Arab boy raised as a Jew. What a brilliant idea, 
            thought Clifton – when the couple and their families, all heavily 
            invested in their respective heritages and prejudices, discover the 
            truth – to reveal the folly, even the ridiculousness of the opposing 
            mentalities! The inbred hatreds just fall to pieces. Tenenbom had 
            broken a wall with his play.  
            
            
                 
            Clifton was struck by the idea of making this startling story into a 
            musical. Recognizing the universal quality of its message, he was 
            also fascinated by the challenge of expressing a love-hate 
            relationship in music and lyrics. The play had been written for the 
            Jewish theatre, but Clifton (a non-Jew) wanted to expand it to 
            appeal to general audiences.
              
            
                 It would be 
            a few years, though, before the way was cleared to begin writing the 
            music and lyrics. Clifton and Tenenbom worked on the project over a 
            long period, shaping the scenes and musicalizing practically every 
            moment in this highly dramatic piece.  
            
                 They wanted to 
            preserve the impact and the ironies of the original, maintaining its 
            humor and satiric elements – through musicalization. The texture of 
            the musicalized scenes is gritty and often appropriately dissonant, 
            while the main songs tend to be melodious and accessible. Though the 
            theme of Two Eagles is ageless, the authors feel that today the show 
            is timelier that ever – a shocking look at ourselves and our world. 
            
                                                                        — A.W. 
                                                                                  
                           
             
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What started me thinking about musicalizing  the 
play "Like Two Eagles"?  The cast in that first production  was comprised of 
Jews, Muslims and Christians -- all pulling together to create a wonderful show. 
I was amazed to see these people satirizing THEMSELVES -- and topping it with a 
message of hope. It just HAD to be a musical! - JC 
  
  
  
A 
      Musical for today― 
      Authentic.  Illuminating.  Timely... 
  
  
 
What 
happens when...?? 
  
― 
A nun in the Holy City switches two 
newborns―one an Arab and one a Jew?    
             
 ― a 
Hamas operative learns that she is actually Jewish?  
 ― a 
Jewish soldier finds out that he’s actually Arab?   
― 
They have fallen in love?  
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